It understandable why they wanted to dangle the carrot in front of gamers with the promise of new abilities every half-hour or so, but damn some of those features like ramming could been useful in some of the earlier missions. The progression of the narrative is unveiled with good intervals although i wish they would have made haste to unlocking Tanners abilities, or had them all unlocked once you get the “shift” ability. While I'm grumbling, Driver: SF takes awhile to into gear. We know he is still with his partner, but aside from the one liners, but what is really happening? Understandable the concept is completely bonkers, but even so it could have been a little more flushed out. Additionally, they never really explain what is happening to Tanner while he is possessing another body. It's not like I wanted Driver: SF to be overly serious, but its little too disconnected. How Tanner has time to go joy riding with a bunch of teenagers instead of tracking down this deadly criminal is oddly frustrating and could have been avoided by toning down the adolescent humour. Without a common "feel" to the game, the foolish bits take away from the girth of the main plot. Fourth and last on the good front is the somewhat enjoyable segments when you take over and unsuspecting person when "shifting." These random exhibitionism sessions make for some memorable car rides while providing a break from the normal runaround chase sequence.Īs a narrative driven tool "shifting" amalgamates into a confusing mess of serious and foolish situations. Third, playing hopscotch and leaping from car-to-car while in pursuit of a get away vehicle is extremely rewarding and puts a new spin on what can be done with a "car game." I know we've seen somewhat similar mechanics in games like 'Vin Diesels Wheelman' and 'Pursuit Force,' yet, both games can't boast the speed and ease of Driver: SF's transfers. Secondly, "Shifting" is cleverly inputted into the games prose, even if its silly and unfathomable. On the fly shifting does away with the standard GTA on foot car-jacking, which is a good sign because we all know third-person action isn't the way to go with the series. For the good "Shifting" is the quickest way we have ever switched into a new vehicle. However, it is ironically the strongest and weakest point of the entire experience. Shifting - the good, the bad, and the ridiculousĪs you might have guessed, "Shifting” makes for some interesting situations. Best yet, using the “shift” ability allows you to zoom out the map to an orbital vantage point so you can quickly navigate the world with a click of a button, which drastically reduces needless driving time. In total Driver: SF is packed with 30 challenges and 80 dares to keep you busy all which can be completed at your leisure. Unlike the monotheism spiritual transfer, the range of activities are the normal assortment events that you would expect.
While it's not your typical mechanic for a "car game," it defiantly makes for a more interesting ride then hiding in alleyways.Īlong with tracking down Jericho, Tanner can also partake of a wide assortment of optional activities that range from stunt driving to street racing.
Now this might all sound crazy on paper, however, 'Ubisoft Reflections' has done an excellent job carrying out this small dose of spiritualism into the confines of a sandbox racer. When "shifting" Tanner will look and sound exactly like the person he has shifted into allowing for several interesting twists in the plot and secondary mechanics. This unexpected curve is a paranormal ability, one that allows Tanner to “shift” into another person's body while retaining his persona. Although this typical "cops-and-robbers" theme isn't so cut-and-dry because of an surprising sci-fi ingredient. Playing law enforcement officer, John Tanner, your mission is to hunt down Jericho and bring him to justice. Driver: San Francisco might not be the most concious heavy title in the series, but it is the most dynamically charged.īefore we get to the hocus-pocus, 'Driver: San Francisco' focuses on the pursuit of the criminal mastermind, Charles Jericho. Conceptually ambitious, Driver: SF tries a more cinematic approach mixed with an unusual sci-fi twist. Set after the events of Driv3r (2004), developer 'Ubisoft Reflections' maintains their concept of a sandboxed crime racer, however, the gritty idea of playing as a criminal wheelman has transferred into a semi-comical action game.
#How to ram a vehicle in driver san francisco ps3 series#
Sparking its developmental cylinders, Ubisoft Reflections pulls out the garage with the paranormal inspired Driver: San Francisco.Īfter a long hiatus the Driver series makes its debut on the "next-generation" consoles with Driver: San Francisco.
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